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Oct. 1, 2026

You Had Me at Butter: Is Expensive Butter Worth It?

You Had Me at Butter: Is Expensive Butter Worth It?
You Had Me at Butter: Is Expensive Butter Worth It?
Family Tree, Food & Stories
You Had Me at Butter: Is Expensive Butter Worth It?

Fancy butter, family enterprise, and accused witches: what are the real stories behind your favorite butter spread?

Is expensive butter worth it, or are you paying for a delicious story? Cultured butter gets its tang from fermented cream. Compound butter adds flavor with ingredients like herbs or fruit. But a fancy label? That takes a little more tasting.

In this episode of Family Tree Food Stories, Nancy May and Sylvia France investigate what makes butter taste different, how butter molds helped women build kitchen businesses, and why a failed batch once put the neighbors under suspicion of witchcraft. The accusations were extra.

You had us at butter.

Nancy and Sylvia also explore what fermentation brings to cultured butter, compare familiar and specialty options, and question whether a higher price means more pleasure on your toast. They both try their hand at making fancy butter from scratch. It's a lot easier than you might think, even with a few mistakes that Nancy makes, because she roasted strawberry-balsamic compound butter just to prove that following directions is apparently sometimes negotiable.

But long before fancy packaging, carved butter molds and stamps helped identify the maker. Behind those designs were women earning money from their kitchens, and reputations worth protecting. Sylvia shares her great-grandmother’s butter story,

And what happened when someone's butter wouldn’t churn? Well, that's easy; you'd just blame a witch. Because convicting the neighbors was easier than taking responsibility for making a mistake.

Key Takeaways:

  • What is cultured butter? Lean, fermented cream; creates more complex flavors.
  • Is expensive butter always better? Price alone doesn’t determine your favorite; compare flavor, texture, and the experience of how it's served and the environment you're in.
  • What were butter molds used for? Were they really the first branding logo?
  • Why were witches blamed for butter problems? Folklore attributed failed churning to stolen butterfat or luck—and inspired some startling supposed remedies.
  • How do you make compound butter? Mix softened butter with herbs, garlic, honey, or roasted fruit for sweet or savory flavors to share.

Listen now at Podcast.FamilyTreeFoodStories.com, then gather your favorite people for a butter tasting of your own. Tell us which butter wins, share this episode with the friend who always asks for more bread, and follow Family Food Stories. We’ll bring the conversation. You bring the toast.

Additional Links Shared:❤️


Next Thursday: we're jumping into the secrets behind the famous Ball canning jars and why people love them. We learned a ton here too.

About Your Award-Winning Hosts:

Nancy May and Sylvia France are the powerhouse team behind Family Tree, Food & Stories, a member of The Food Stories Media Network, which celebrates the rich traditions and connections everyone has around food, friends, and family meals. Nancy, an award-winning business leader, author, and podcaster, and Sylvia, a visionary author, foodie, and business leader, combine their expertise to bring captivating stories rooted in history, heritage, and food. Together, they weave stories that blend history, tradition, and the love of food, where generations connect and share intriguing mealtime stories and kitchen foibles.

If you missed the first time around... now's your time to listen to Family Tree Food & Stories and get inspired to make better use of what’s already in your kitchen. Then visit our page to share how you're using your leftovers this year. Waste less. Cook smarter. Tell the story behind your fridge.

"Every Meal Has a Story, and Every Story is a Feast." (tm) is a trademark of the Family Tree Food & Stories podcast. (c) Copyright 2026. All US and International Rights Reserved.

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Nancy May:

Hey, Sylvia.

Nancy May:

Guess what?

SYLVIA FRANCE:

What?

Nancy May:

I bought butter

SYLVIA FRANCE:

That's not usually how I start my conversations, but do tell

Nancy May:

Well, today it is because basic homemade is what I bought.

Nancy May:

, I also have Land O'Lakes extra creamy, Amish butter of course, the

Nancy May:

two kinds, the regular and then the extra rich and fat, which is 85%.

Nancy May:

And then I've got a couple of compound butters which I made and I'm testing myself.

Nancy May:

And you, I think, have your fancy French cultured butter,

SYLVIA FRANCE:

Of course I do.

SYLVIA FRANCE:

So with all that you've named, guess how many that you actually have in your refrigerator?

Nancy May:

Oh God, it's starting to look like, uh, cast iron right now.

SYLVIA FRANCE:

So you're hoarding that like you did with the mason jars and cast iron?

Nancy May:

I think so.

Nancy May:

But the compound butter is really the interesting part because the best one is the strawberry,

SYLVIA FRANCE:

Oh, didn't you also make, garlic and basil too?

Nancy May:

I did.

Nancy May:

I made garlic and basil and a little rosemary, and then one that's got a

Nancy May:

little too much salt in it, so I'll just mix that with something else

SYLVIA FRANCE:

But you did send me a picture of those strawberries, and from the picture, it could've

SYLVIA FRANCE:

been lighting, but it kind of looked a little reddish black to me.

Nancy May:

Well, no, it wasn't the lighting.

Nancy May:

They were a little reddish black.

Nancy May:

But the difference is they were roasted and they had balsamic on it, so that's the reason why

SYLVIA FRANCE:

That is so cool.

SYLVIA FRANCE:

So how was it when you put it on pancakes?

Nancy May:

Surprisingly delicious actually, and Bob said that he wants more of it, so I

Nancy May:

think it's a winner.

SYLVIA FRANCE:

as long as he makes the pancakes, right?

Nancy May:

As long as he makes the pancakes, I don't care what goes on those darn things.

SYLVIA FRANCE:

so this is really an episode about butter molds, and we're starting with a tasting

Nancy May:

And something slightly embarrassing along the way.

Nancy May:

Yes, a few mistakes.

SYLVIA FRANCE:

No, it's, you know, you just learn from your mistakes.

SYLVIA FRANCE:

It's beautiful imperfections . because before we ask why anyone stamped butter, we should ask the more

embarrassing question:

can we even tell one butter from another, or does a good story just make it taste better?

Nancy May:

Well, honestly, I think it's a little bit of both.

Nancy May:

You know, the other day Bob and I were chatting, and I said, "I would drink swill wine if the environment was good."

SYLVIA FRANCE:

Or some of your sister's pressed wine from her mason jars

Nancy May:

Oh, right, the corks.

Nancy May:

Well, maybe not that, but a story always makes something taste just a little bit better in my book

SYLVIA FRANCE:

And the beach too.

Nancy May:

Correct.

Nancy May:

So thank you for being here.

Nancy May:

We're glad that you're listening and hopefully tasting butter in your refrigerator.

Nancy May:

This is Family Tree Food Stories.

Nancy May:

I'm Nancy May

SYLVIA FRANCE:

And I'm Sylvia France.

SYLVIA FRANCE:

Every episode, there is a place of real history and a question we're still trying to answer.

SYLVIA FRANCE:

History and mystery.

SYLVIA FRANCE:

Today, that's butter

Nancy May:

And it's all about how it was made, how it was sold, and occasionally blamed on a witch.

Nancy May:

And I have a new use for it, which I'll tell you at the end

SYLVIA FRANCE:

I can't wait to hear it.

SYLVIA FRANCE:

So follow the show, leave a review, find us on Facebook at Family Tree Food and Stories

Nancy May:

And don't forget, go to our website, which is Podcast.FamilyTreeFoodStories.com.

Nancy May:

And hello to Lisa Olsen in Newton, Massachusetts, and Joanne Hope

Nancy May:

Cycles, I think, I'm gonna say that correctly, Couch in Lexington, Kentucky.

Nancy May:

Joanne, if I'm saying that wrong or pronouncing your name wrong, I'm sorry.

Nancy May:

I had butter in my mouth.

Nancy May:

And thank you everybody for being part of this side of the table with us

SYLVIA FRANCE:

Which calls for a toast before we start tasting for real

Nancy May:

And what are we toasting with today, Sylvia?

SYLVIA FRANCE:

Of course, hot buttered rum

Nancy May:

Everything is better with butter, although I'm really not a fan of hot buttered rum.

Nancy May:

Ugh.

Nancy May:

Still.

SYLVIA FRANCE:

It was your idea.

SYLVIA FRANCE:

You'll have

SYLVIA FRANCE:

to deal with it.

Nancy May:

We gotta try something different

SYLVIA FRANCE:

Okay, to butter, and maybe next time bacon

Nancy May:

Oh, bacon.

Nancy May:

I'll drink to bacon any day.

Nancy May:

So let's start simple.

Nancy May:

Mine is sort of an American style, , the first one that I made, and yours is fancy, . French style, fermented cream first butter

SYLVIA FRANCE:

I did.

SYLVIA FRANCE:

Cultured butter gets extra time to ferment, which brings

SYLVIA FRANCE:

a tangier, nuttier flavor not automatically better, just different

Nancy May:

Well, I tried that too, and mine has that flavor as well, but just a little different.

Nancy May:

So my other one is clean, straightforward, all-American, no dramatic entrance of course, unless

Nancy May:

you're waving a flag . but it does do the job on hot toast and pancakes

SYLVIA FRANCE:

And that sounds like a better you would make

Nancy May:

Of course.

Nancy May:

Thank you

SYLVIA FRANCE:

Well, that wasn't exactly a compliment, but you could take it that way

Nancy May:

I am going to receive it that way, snark or not.

SYLVIA FRANCE:

So what did you actually taste?

Nancy May:

Well, . So mine has sort of a a sweet, smooth taste with

Nancy May:

a little bit of salt ' and yours has a little bit more tang to it

SYLVIA FRANCE:

That's what people mean by cultured butter.

SYLVIA FRANCE:

The fermentation adds a layer, sometimes almost cheesy.

SYLVIA FRANCE:

You know, fermentation, sourdough bread has a little bit depth of flavor

Nancy May:

Just like homemade yogurt, which I make now too.

Nancy May:

It's your fault.

SYLVIA FRANCE:

I know.

SYLVIA FRANCE:

I'm, I'm bad influence

Nancy May:

now we need the no-name store butter, , and we're really just bragging over our two bowls of cream

SYLVIA FRANCE:

That's very important scientific control if you ask me

Nancy May:

Yeah, so the store butter, first of all, it's not necessarily

Nancy May:

as pretty as the ones that we've made, and it has flat taste.

Nancy May:

Really almost, like, no taste at all

SYLVIA FRANCE:

Well, once you've had the good stuff, it- it's not

SYLVIA FRANCE:

surprising

Nancy May:

That's it.

SYLVIA FRANCE:

or we're saying that because we already know which bowl is supposed to be ordinary

Nancy May:

I think so, but branding's already on my spoon or on my knife even before we ate it, 'cause I saw it

SYLVIA FRANCE:

I think expectation is powerful, don't you?

Nancy May:

Yes, I do, um, unfortunately sometimes.

Nancy May:

But that brings us to the wooden thing, I'll call it

SYLVIA FRANCE:

The butter mold, which is really what this whole episode is all about

SYLVIA FRANCE:

, Nancy May: We look at an old one and think it's decoration, if you haven't seen those little stamps.

SYLVIA FRANCE:

A flower, a heart, or something that just sat next to a butter dish just to make it look, I guess, pretty

SYLVIA FRANCE:

But if you were making butter to sell or trade, the mark could actually tell people whose butter it was

Nancy May:

Yes, way back in the early days, I'll say 1700, 1800s or even earlier than that, before wrappers and

Nancy May:

labels, A recognizable mark actually made a difference, and it mattered

SYLVIA FRANCE:

I still don't love calling it the first logo

Nancy May:

Oh, I don't know.

Nancy May:

I'm I think it should be called that, but why not?

SYLVIA FRANCE:

an 18th-century farm woman sound like she had a marketing department

Nancy May:

and so who cares?

Nancy May:

I think that's pretty smart.

Nancy May:

But maybe she just had a very demanding customer is my theory

SYLVIA FRANCE:

That I do believe.

SYLVIA FRANCE:

The Met has a Pennsylvania butter mold from around 1790 tied to

SYLVIA FRANCE:

identifying the source and controlling the quality of the market butter

Nancy May:

So the pretty shape didn't necessarily mean the butter was bad or good.

Nancy May:

, It just made the maker's reputation travel a little further, I'd say

SYLVIA FRANCE:

Right,, and the design had to be carved backwards so it printed correctly

Nancy May:

All right, so I guess this is when it helps if you've got dyslexia which is exactly where

Nancy May:

I'd fail because my beautifully carved stamp would probably say ret

SYLVIA FRANCE:

you know, maybe like the mason jars, it could be worth more because of the mistakes

Nancy May:

Yeah.

Nancy May:

Fat chance, but very exclusive for sure.

Nancy May:

Only one would exist because I'm not sure I could do it again

SYLVIA FRANCE:

There's a real human point buried in this too.

SYLVIA FRANCE:

Women were making the butter, and often controlling the money it brought into the house

SYLVIA FRANCE:

.. Nancy May: So a whole small business was actually happening in somebody's kitchen, and even if nobody called it that,

SYLVIA FRANCE:

Yes, I have a story,

Nancy May:

Ooh.

Nancy May:

Tell me, tell me.

SYLVIA FRANCE:

My great-grandmother made butter from her own cow's milk, deep gold, I understand almost orange,

SYLVIA FRANCE:

the kind the market owner used to hide under the counter for himself.

SYLVIA FRANCE:

She actually used the butter to extend her ration cards."

Nancy May:

Ooh, that's pretty sneaky or pretty smart.

Nancy May:

Actually, I know somebody else whose- mom did something similar, Tanya Updigraff.

Nancy May:

You know her,

SYLVIA FRANCE:

Yes, I do,

Nancy May:

brand loyalty or do you think that's just grocer greed?

SYLVIA FRANCE:

I think probably both.

SYLVIA FRANCE:

It's often the same customer

Nancy May:

So how about the symbols now, though?

Nancy May:

We're supposed to decode every single flower because it represented somebody else

SYLVIA FRANCE:

No, that's where these stories get too confident.

SYLVIA FRANCE:

Take the pineapple.

SYLVIA FRANCE:

We've talked about this before.

SYLVIA FRANCE:

, Originally it was just a rare, expensive way to show off wealth

SYLVIA FRANCE:

, Nancy May: I know, and not the welcome story that everybody talks about

SYLVIA FRANCE:

Not at first.

SYLVIA FRANCE:

The hospitality meeting came later, mostly pushed by you-know-who

SYLVIA FRANCE:

advertising,

Nancy May:

So sometimes pineapple just means, "Look what I can afford.

Nancy May:

I'm so rich

SYLVIA FRANCE:

Context also matters more than any one symbol by itself

Nancy May:

Good.

Nancy May:

I'd hate to find somebody's pretty butter secretly hex signing me or giving me the evil eye one way or another.

Nancy May:

I don't know.

Nancy May:

Does butter give you an evil eye?

Nancy May:

I think it could.

SYLVIA FRANCE:

You would have to go that way.

SYLVIA FRANCE:

You love your witch stories.

Nancy May:

I know.

Nancy May:

I can't die.

Nancy May:

We've got one.

Nancy May:

All right, so we've done the homemade plain old butter, the cultured butter, the store-bought butter.

Nancy May:

Now I want to blind taste the Land O'Lakes creamy against the Amish butter.

Nancy May:

What do you say?

SYLVIA FRANCE:

Sounds good.

SYLVIA FRANCE:

Are you gonna start on bread?

Nancy May:

Well, I think we should start on sourdough.

Nancy May:

But the Amish butter goes on the bread, of course, , and I don't want

Nancy May:

to bury that texture in a compound butter for any means whatsoever

SYLVIA FRANCE:

Well, I understand Land O'Lakes is the accessible premium option, not $150 truffle butter.

SYLVIA FRANCE:

Something a listener could actually find

Nancy May:

I think I paid about, mm, $10 for that one.

Nancy May:

But we'll mention you have to pronounce this one

SYLVIA FRANCE:

Leboeuf Brodier Black Perigord Truffle Butter.

Nancy May:

Yeah, forget the French.

Nancy May:

I'll just do the American language.

Nancy May:

But just to show how far luxury branding can go, - we're not pretending we tasted it.

Nancy May:

I'm not paying $150 or $160 for a pound of butter.

Nancy May:

I don't even think it was a full pound

SYLVIA FRANCE:

That's absurd, but thank you anyway

Nancy May:

You're welcome.

Nancy May:

We are testing what we actually have or what you can actually get as well.

Nancy May:

So after the break, we guess which butter is which, and then we deal with the yes, yeah, ha, ha, ha, ha, the Butter Witch

Nancy May:

. SYLVIA FRANCE: Before the break, we were pretending to be serious butter judges

Nancy May:

Well, I wasn't pretending, but Bowles Bread options.

Nancy May:

Now we actually have to guess

SYLVIA FRANCE:

I already know which one I prefer

Nancy May:

Of course you do.

Nancy May:

That's not the same of knowing , which one is which though

SYLVIA FRANCE:

But actually, as I'm trying to talk, I have it in my mouth.

Nancy May:

Don't talk with your mouth full, please.

Nancy May:

I know you used to tell your kids all that time, so I can tell you

SYLVIA FRANCE:

Uh, thanks, Mom.

SYLVIA FRANCE:

So fine, my guess is the cultured butter

Nancy May:

Okay, and mine is the… Well, this one's gonna be easy 'cause it's the compound butter

SYLVIA FRANCE:

Which kind?

Nancy May:

Well, the strawberry one, of course.

Nancy May:

And the answer of which is better, what do you think?

SYLVIA FRANCE:

I do think it really depends on what you're eating.

SYLVIA FRANCE:

So if it's bread or if it's on asparagus, it really depends on what you're having, which is best

Nancy May:

And I don't think I'd put the compound strawberry on asparagus by any means.

Nancy May:

Yeah.

Nancy May:

So which one of us was right or wrong?

SYLVIA FRANCE:

Well, I think we were both right

Nancy May:

Well, that was diplomatic.

SYLVIA FRANCE:

Of course

Nancy May:

But I think we were tasting very thoughtfully, right?

SYLVIA FRANCE:

Are you saying I've been branded

Nancy May:

Yes, I'm saying you've been branded.

Nancy May:

Not like a cow, but

Nancy May:

maybe

SYLVIA FRANCE:

goodness.

Nancy May:

So we are tasting the story, however, that we preferred, not necessarily the brand.

Nancy May:

So I'm also saying the price, and expectation do a lot of work here.

Nancy May:

You know, if you look at what's in the grocery store shelf, I always have the

Nancy May:

expectation that that rolled butter in, in the paper is gonna taste better.

Nancy May:

So I don't know if that works or not, but we can taste the real difference in fermented and fresh for sure,

Nancy May:

and we just don't automatically taste the price tag there because, yeah, it's the price of the cream.

Nancy May:

I don't think the price of butter is the same thing

SYLVIA FRANCE:

No, it's not.

SYLVIA FRANCE:

. … the specialty butter might still be worth it to someone, though fresher, more complex, a process they actually value

Nancy May:

And we've got another one, the Animal Farm Creamery, a good example.

Nancy May:

Again, expensive.

Nancy May:

I think they were up around $140 for a pound or so.. , they have Jersey cows in Vermont.

Nancy May:

I guess you call them Jersey cows in Vermont, darling.

Nancy May:

And they use long fermentation, , and they have a public sale that

Nancy May:

clears out all their product in probably three minutes or so.

Nancy May:

That's not just flavor.

Nancy May:

That's the place, the process, and the scarcity.

Nancy May:

Because the rest of it goes to all the Michelin star chefs

SYLVIA FRANCE:

Sounds like supply and demand to me.

SYLVIA FRANCE:

So how much value is actually in the butter, and how much is the story around it?

Nancy May:

Which is exactly what the old butter mold was telling you, not just a smaller scale

SYLVIA FRANCE:

Fine, I get your branding point, Miss Advertising

Nancy May:

Yes, thank you.

Nancy May:

I'm putting a mold on that point,

Nancy May:

and not green

Nancy May:

mold.

SYLVIA FRANCE:

Need I say more?

SYLVIA FRANCE:

Enough said on molds

SYLVIA FRANCE:

Now, the butter witch.

SYLVIA FRANCE:

If the butter wouldn't come, some people believed somebody had stolen the butter fat or the luck

Nancy May:

Today we check the temperature, which is important, and they check the neighbors

SYLVIA FRANCE:

or put a hot iron in the churn to burn the witch remotely

Nancy May:

Ooh, I don't think I can do that in an HOA, might consider

Nancy May:

it.

SYLVIA FRANCE:

Probably not.

Nancy May:

But that's a rather aggressive troubleshooting method, I'd say

SYLVIA FRANCE:

There's even a yellow trembling fungus called witch's butter.

SYLVIA FRANCE:

The woods supply their own evidence

Nancy May:

So a failed batch actually gets a villain, a weapon, and yes, some special effects

SYLVIA FRANCE:

Oh, those branding people again.

Nancy May:

Oh, God.

Nancy May:

they keep coming back , I'm gonna smack them.

Nancy May:

But I have got this big, giant clay butter churn myself with a number six on it

SYLVIA FRANCE:

Have you actually hand-churned butter?

SYLVIA FRANCE:

Let me

Nancy May:

N- no.

SYLVIA FRANCE:

You should have made Bob do it

Nancy May:

Yeah.

Nancy May:

You know, I was playing with the, the pole the other day thinking, I don't know how anybody ever sat on a porch and did this.

Nancy May:

It would've taken forever to do so.

Nancy May:

But I bought it at an antique shop that was having a moving sale, and I know I actually had to have it.

Nancy May:

I always wanted one of these

SYLVIA FRANCE:

Let's just say the witch got to your butter first

Nancy May:

Well, I think I'm gonna use that story as an excuse for Bob.

Nancy May:

And no, he's not sitting me out there on the front porch with a glass of wine and a butter churn.

SYLVIA FRANCE:

No, that's what you make him do

Nancy May:

Yes.

SYLVIA FRANCE:

in the rocking chair

Nancy May:

And, and Bebe, the dogs.

SYLVIA FRANCE:

So what should people actually try this weekend?

Nancy May:

I'm gonna say they should start with one compound butter.

Nancy May:

Soften the butter, the one that you buy at the store, the one that you like.

Nancy May:

Add a little garlic, basil, maybe rosemary and salt in another.

Nancy May:

Honey if they want as well, , and perhaps some roasted fruit

SYLVIA FRANCE:

Let it sit a while, even overnight, so the flavor actually gets into the butter

SYLVIA FRANCE:

. Nancy May: Put them in separate ramekins please, or separate bowls.

SYLVIA FRANCE:

Then in the next morning, put it on some bread, pancakes, as you said earlier, some vegetables.

SYLVIA FRANCE:

Al- I think I would keep the strawberry off the vegetables and then maybe make more than at least one flavor.

SYLVIA FRANCE:

I'd say three or four just to test it

SYLVIA FRANCE:

And if you want the mold idea, press it into a cookie cutter, an

SYLVIA FRANCE:

ice mold, or an actual wooden butter mold, something that means something to you

Nancy May:

Actually, I have these little tiny antique cookie cutters that I use, that I roll them out, and I've

Nancy May:

tested doing that, so the next time we have a party, guess what I've got?

Nancy May:

I've got molded butter.

SYLVIA FRANCE:

You just wanna show off.

SYLVIA FRANCE:

I only know about the molded butter that you buy at Thanksgiving at Publix

SYLVIA FRANCE:

.. Nancy May: Yes, I bought that kind at Christmastime and at Thanksgiving and even at Easter.

SYLVIA FRANCE:

And guess what?

SYLVIA FRANCE:

It's still in your refrigerator.

SYLVIA FRANCE:

- Then tell the story before somebody eats it.

SYLVIA FRANCE:

That's the part I like.

SYLVIA FRANCE:

.. It doesn't have to be expensive.

SYLVIA FRANCE:

It has to give people something to talk about

Nancy May:

And I'm sure somebody would talk about your butter if you put it out

SYLVIA FRANCE:

Well, I guess I just need to find a good excuse to have a party

Nancy May:

You better invite me.

SYLVIA FRANCE:

Oh, absolutely.

SYLVIA FRANCE:

So all right, we need to settle the strawberry question once and for all

Nancy May:

So the strawberries were not exactly a mistake.

Nancy May:

I just am not very good at following directions, even recipes.

Nancy May:

I like to mix it my own way.

Nancy May:

So the strawberries were supposed to be roasted beautifully.

Nancy May:

They did not quite.

Nancy May:

I added balsamic vinegar, like they said I could substitute for vanilla, and didn't add that much sugar

SYLVIA FRANCE:

So they went red, black.

SYLVIA FRANCE:

. I think it sounds like garnet to me

Nancy May:

but they tasted just fine before I put them into the butter.

Nancy May:

I had to try that one just in case so I didn't ruin the butter.

Nancy May:

Also, I left them in six minutes longer, of course, 'cause they just didn't seem like they were quite

Nancy May:

done . So apparently I didn't believe in stopping when the recipe told me to.

Nancy May:

Guess what?

Nancy May:

That's not unusual on my side.

SYLVIA FRANCE:

But they still tasted good.

SYLVIA FRANCE:

I mean, they didn't win the beauty contest, but they still tasted good,

Nancy May:

they look good in butter and it just looks nice pink and pretty

SYLVIA FRANCE:

So, and now Bob's requested pancakes

Nancy May:

Again, I know.

Nancy May:

Which is either a thoughtful serving suggestion or an ambush for me to make more butter

SYLVIA FRANCE:

It does look like a crime scene to me

Nancy May:

No, it doesn't.

SYLVIA FRANCE:

Trust me on that one.

SYLVIA FRANCE:

So how was it on the pancake?

Nancy May:

Well, I said earlier it was actually pretty good.

Nancy May:

It wasn't too ugly.

Nancy May:

, And I also put other stuff on there.

Nancy May:

, We ran out of syrup, so I used Magdalena's vanilla syrup that she told me about

Nancy May:

in, I think it was December of last year when I made her Swedish ginger cookies.

Nancy May:

That was really good

SYLVIA FRANCE:

It sounds pretty hoity-toity to me for pancakes

Nancy May:

Well pancakes can be hoity-toity,

SYLVIA FRANCE:

So the butter is ugly, but it tasted so good

Nancy May:

It did.

Nancy May:

And that might be the real lesson today.

Nancy May:

You don't need to make the prettiest stuff on the plate.

Nancy May:

it just needs to taste good.

Nancy May:

And you need to taste what's changed and then decide if you actually like it.

Nancy May:

It's something like the one bite, no thank you rule

SYLVIA FRANCE:

I know that one well.

SYLVIA FRANCE:

Now you know why I instilled it.

SYLVIA FRANCE:

So before we let you go, five things out of today you can actually use

Nancy May:

One, taste before you judge.

Nancy May:

Go to the grocery store and pick up a whole bunch of different butters and see which one you like.

Nancy May:

Price and a good story can fool your own mouth faster than you think

Nancy May:

.. . SYLVIA FRANCE: Two, a mark on butter or anything used to mean something

Nancy May:

real, whose it was, and that somebody actually stood behind it

Nancy May:

Three, not every symbol means what you think.

Nancy May:

A pineapple was showing off wealth long before it meant welcome

Nancy May:

. SYLVIA FRANCE: Four, make one compound butter this weekend.

Nancy May:

One strong idea.

Nancy May:

Let it sit overnight and don't wash six bowls for it

Nancy May:

Yeah, one is enough.

Nancy May:

And five, give whatever you make a story before somebody else eats it.

Nancy May:

It's gonna taste better, I guarantee.

Nancy May:

And that's what actually gets remembered, not the shape.

Nancy May:

but I have one more thing before we go.

Nancy May:

May I add this?

SYLVIA FRANCE:

Oh, absolutely.

SYLVIA FRANCE:

It's your show

Nancy May:

All right, so six.

Nancy May:

Try this with your homemade butter if you dare try making it, which is very easy to do.

Nancy May:

take a little bit that's left over, it may have fallen out on your counter, and rub it into your hands like cream.

Nancy May:

I can guarantee your hands will be softer than butter, darling.

SYLVIA FRANCE:

Oh, I can vouch for that.

SYLVIA FRANCE:

When I was washing the cultured butter like they recommend, 'cause you have

SYLVIA FRANCE:

to do it in ice water, my hands were, like, soft like silk when I got done.

Nancy May:

And mine were frozen.

SYLVIA FRANCE:

You have to do it fast.

Nancy May:

But to the ones who got the butter story and also the mold

SYLVIA FRANCE:

We love butter.

SYLVIA FRANCE:

Everything's better with butter

Nancy May:

And so shall we do one last toast?

SYLVIA FRANCE:

You said you didn't like butter rum,

Nancy May:

Well, we're gonna do it again and I'm gonna choke this one down

SYLVIA FRANCE:

All right.

Nancy May:

Send us your butter test results.

Nancy May:

Go to Facebook at Family Tree Food Stories.

Nancy May:

We'd like to see what you've done.

Nancy May:

Really, , it doesn't need to be complicated.

Nancy May:

Just try a compound butter, send us a picture.

Nancy May:

We'll post ours

SYLVIA FRANCE:

And fess up

SYLVIA FRANCE:

And tell us honestly whether you follow the recipe or not.

SYLVIA FRANCE:

If you're Nancy, you never do

Nancy May:

Right.

Nancy May:

No judgment rule,

SYLVIA FRANCE:

Well, you might get some judgment here

Nancy May:

Yeah.

Nancy May:

. So next time we're closing out this season or this series with what your own kitchen says about you and where it came from.

Nancy May:

I've got some stories to share, Sylvia

SYLVIA FRANCE:

Let me guess, one butt or two butt kitchens?

Nancy May:

Nah.

Nancy May:

That's for next week.

SYLVIA FRANCE:

Thank you for listening and for digging into your own kitchen with us.

SYLVIA FRANCE:

Happy cooking and of course, happy experimenting

Nancy May:

Ugh, God, I should choke down that last glug of hot buttered rum.

SYLVIA FRANCE:

Oh, next time . We'll take that off the menu

Nancy May:

Please.

Nancy May:

Thank you.

Nancy May:

Goodbye.

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